Category: Daily thoughts

Just thinking, contemplating, considering

Seth presents a studio challenge

A couple weeks ago Seth Tyler completed two chandeliers. In this particular case Seth felt a “neutral” background would be preferable to their installed environment. We met to discuss how best to photograph them in the studio before they were permanently installed in the commissioner’s home.

So the challenge begins with questions like, “Do you want the illusion of a ceiling meeting a wall? Or the look of a ceiling meeting two walls (as in a corner)? Or the feeling of a studio sweep (more of an abstract space)?” Each of these possibilities requires a different approach to set design and construction as well as lighting; and of course budget in terms of time and materials. We must also consider the space limitations of my two relatively small shooting areas. In the end we decided to create an “upside down” sweep using a 4×10 foot sheet of gray Formica which I had in inventory; with the bottom edge held firmly in the channel of my Foba shooting table; we had only to figure out how to suspend the other 10 feet. When creating studio sweeps gravity is normally your friend. Gravity becomes your enemy when turning the sweep upside down. To save “my” time I drew up a suggested frame design that Seth could build and bring on the day of the shoot. But on the day we stood in my studio, discussing that approach, we also started pulling out nearly every light stand, clamp, and horizontal pole support I own. Three hours later we had the sweep inverted and needing only a 2″x4″x8′, properly drilled, to mount the chandeliers to. Lighting through the maze of light stands was, of course, yet another challenge. (additional chandelier details and lighting options can be seen in this slide show).

(click image for larger view)

Leica R8/DMR, 60mm Macro, (additional image slide show includes 100 mm Apo Macro)

“Hwy 51 runs right by

Luckily both Seth and I prefer two lane black top over the Interstate. So we took Hwy 51 to and from the ABANA Conference in Memphis. The photographs seen below were created on the way home “…up Wisconsin way…” in Historic Cairo, IL (which has the highest child poverty in Illinois); at the confluence of the Ohio and Mississippi rivers. And a slide show with more photographs from Hwy 51.

“…my baby’s door
Highway 51 runs right by my baby’s door
If I don’t get the girl I’m loving

(click images for larger view)

Won’t go down to Highway 51 no more.

Well, I know that highway like I know my hand
Yes, I know that highway like I know the back of my hand
Running from up Wisconsin way down to no man’s land.

Well, if I should die before my time should come
And if I should die before my time should come
Won’t you bury my body out on the Highway 51.

Highway 51 runs right by my baby’s door
I said, Highway 51 runs right by my baby’s door
If I don’t get the girl I’m loving
Won’t go down to Highway 51 no more.”
—lyrics © Bob Dylan

Beale Street 25 years later

Twenty five plus years ago I spent a day on Beale Street, the “home of the blues and birthplace of rock’n’roll.” At 39 it felt real. Musicians were on the street and in the clubs. Earlier this month, while attending the ABANA Conference in Memphis, Seth and I spent an evening on the street and it felt a lot more like a bizarre carnival. Every establishment had a hawker yelling out the reasons to enter their establishment. The musicians on every other corner were gone. There was a new little park with a stage where one could “do your thing” and it was surrounded by junk tents. Hustlers were selling Elvis’ drivers license for $45, laminated and appearing never used. Some decent blues could still be heard in a couple clubs; but the street ambiance of 25 years ago has disappeared; or so it seemed to my now 64 year old memory bank. View a slide show of additional Beale Street images.

(click image for larger view)

M8, 35mm Summilux Asph

perpetual examination, inquiry, looking into…

“Photography is only intuition, a perpetual interrogation – everything except a stage set.” — Henri Cartier-Bresson

“When gifts are given to me through my camera, I accept them graciously.” — Minor White

(click image for larger view)

Leica M8, 35mm Summilux Asph

kids and dogs

“A well-composed image will catch our attention because the eye finds a certain satisfaction in composure. But that is not enough. Good photographs are also disturbing, and inevitably remind us of what we have overlooked.” – John Rosenthal

Do you find these photographs disturbing; do they remind you?
(click image for larger view – recommended)

Leica M8, 35mm Summilux Asph