(click photograph for larger view)
Leica R8/DMR, 80 mm Summilux
What’s happening in George’s business world?
So many speak, of the current labor awakening in Wisconsin, using war and sports terminology – winning and losing – battles – fighting for rights – kill the bill – etc. Fact: wars, battles, and yes even some sports destroy, damage, and cause pain and suffering. Believing that something of value can arise through fighting for turf, whether metaphorically or really, makes absolutely no sense — if we seriously want to solve problems. What happens if we consider those metaphors both obsolete and serious distractions from the problems and tasks at hand? I believe we can speak more clearly; using far more accurate language; language that refers directly to our creative spirit rather than from our reptilian fight/flight mentality. In his sign, seen above, Muhammad chose his language well when he said, “…he’s facing the world.”
People, whether Egyptians or Wisconsin workers (along with all others demonstrating around the world), simply want to BUILD a better future. These demonstrations express a desire to CREATE a better QUALITY LIFE. Manifesting these desires requires creative thinking; not destructive thinking.
Useful terms like envision, plan, manifest, demonstrate, educate, engage, listen and learn must replace useless terminology like class warfare, budget crisis (or any other crisis for that matter). We cannot accept outdated metaphors if we want to truly create something new and valuable.
If anything derails efforts to build a just society – it will come in the form of hyperbolic demonizing and/or uncontrolled violence (whether physical or psychological); no matter which side it comes from. The actual facts contain enough horror. True problem solvers do not use smear tactics. They use common sense, factual data, correct intentions, planning and implementation. Good causes have a true moral high ground. Fox refers to Wisconsin demonstrators seeking social justice as “radicals.” They apparently intend to demonize rather than inquire or objectively report. Prove the claim false, at each and every opportunity, by demonstrating intelligence and most especially by using veracious information to the contrary. Meet false information and propaganda with verifiable information. I don’t believe one can tame or diffuse wackos. Totally ignoring them seems the only choice. Liars and charlatans, on the other hand, need facts (not opinions) following and preceding their every deception. Shine a light on pretenses, hypocrisy and lies. It’s one thing to battle over ideology and quite another to honestly inform and educate.
The necessary shift from a combative culture to a creative culture requires focusing attention and intention on building and innovating. This means building alliances, communities, agreements; and requires innovative, creative, positive communication. Step one to achieve a shift in culture requires an agreement on integrity – and a deep willingness to expose every deception, hypocrisy and pretense. If a person seeks public office they should minimally stand up and speak clearly and honestly on behalf of their actual agenda. We recently discovered state senator Alberta Darling saying, “I can’t say this on television.” to a select group of her and Scott Walker’s supporters. People, like her, with clandestine agendas will not ever create a just, equitable society. We need honest, forthright representatives to accomplish that goal. We can accept nothing less.
My friend Bert Stitt lives in Madison and works with communities, organizations, governments, and businesses throughout the country. I invited him to share his thoughts on this topic. He offered,
Bravo! We have evolved!
The chant, “What does democracy look like. This is what democracy looks like!” rings off the stone and glass facades of Madison’s Capitol Square and fills the air. This refrain also fills the streets, plazas, squares and other public venues in many languages and interpretations all over the world. At least one echo of the contemporary voice of democracy reverberates with peace; a peaceful voice that stands calm and firm as in the protest button; “stay calm and protest on!”
I, at least, feel refreshed that we have not, so far, spun down into so much of the rhetoric of the 60’s anti-war, anti-segregation protest. I don’t pretend that such thoughts and words don’t occur to us. I do see a conscious choice to think, speak and act differently. We can legitimately appreciate a different order of strength and effectiveness in the face of ‘outrageous fortune.’
In Madison we have a dedicated cadre of peace advocates who have populated the protest scene inside and outside the Capitol building with in-the-moment coaching with people who want to exercise the power that comes from within the integrity and dignity of our voice. These dedicated advocates for the peaceful message have surely infused the atmosphere with healing and powerful medicine.
We know that we have many voices of despair, disrespect, distress, disregard and more in ‘balance the budget’ theater as well. We have watched a serious devolution of civility, care and interest in the ‘other.’ We have heard words of incivility aplenty.
In the midst of this I see a sign altered from “Kill the Bill” … to “Stop the Bill” – a self editing process that seeks to shift the tenor of the conversation while maintaining the power of the message.
Thanks for contributing Bert!
Consider this: Men mine iron ore; smelt it; turn it into steel; form the steel into sheets; transform the sheets into heavy equipment. At each stage labor and resources add value to the ore. People then use the heavy equipment to transform the earth; plant and harvest food; process that food; transport that food to super markets where we pick it up and drive it back to our kitchens in our steel vehicles. When the heavy equipment is used up and no longer functions as intended it goes to the scrap yard; where men cut it up and smash it into manageable chunks. This steel, now reduced to $100 per ton raw material (or $.10 – .20 per lb in small quantities) had a full life. It sits in the yards for decades; oxidizing, pitting and developing altogether new properties. The steel waits. Last week’s wabi-sabi wednesday photograph was just that — scrap steel in the yard of Tyler Studios, ltd; waiting.
In the hands of a creative talent this scrap becomes raw material to create a beautiful “new” object.
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With each heat and hammer blow the craftsman adds new value to the old material. Additional photographs of this process can be found here.
The artist, Seth Tyler, has drawn the plans and made the prototype model as the first steps toward creating the full scale range hood.
Within a few months the completed range hood will hang in a fine kitchen. It will absorb the cooking aromas, heat, laughter, anger and tears of the family cooking and dining there. From morning coffee to celebrations it will continue to evolve with an ever changing patina; unique to its new environment; full of wabi-sabi to be sure.
Leica R8, 35 mm Summilux (15 mm Super Elmar)
This past Saturday I had the opportunity to photograph the beautiufl fireplace surround, hand forged by Nathaniel Reinartz; and installed in an equally gorgeous arts and crafts style home located on Milwaukee’s East side. Nathaniel brought many of the formal details of the original woodwork, as well as the masonry, into his metal work. Additional details of this piece (as well as some of Nathaniel’s railings).
Leica R8/DMR, 21 mm Super Angulon
Leica R8/DMR, 35 mm Summilux
Some years ago I produced a video, in cooperation with the Center for Creative Learning, and Taking It Lightly, which has, after some time without a video streaming server, found a new home at the Light Development Video Blog.
On September 7th Dan Nauman installed the final terminus section of his bronze railing at Lynden Sculpture Garden. However we had to wait for the patina to even out across all the sections before attempting to photograph the completed railing. Last week I gave the afternoon light an opportunity to charm the railing; and this week I gave the morning light an equal opportunity. These bronze forms stretch the the photographic limits in terms controlling highlights, contrast and complex color. To capture the movement, rhythms, forms and details of this intriguing metal work I used 15, 35, 50, 80, 100 and 180 mm lenses; lay on the ground; and climbed a ladder to find where the background, the piece and th light made the most visual sense together. To more fully comprehend the intricacies of the railing, the rather difficult environment surrounding it, along with the ever changing light — you can view the slide show of additional views and details.
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Leica R8/DMR, (numerous lenses were used)
This morning my friend, Kevin Meyers, competed in the Double Bong 40k, ABR Wisconsin State Time Trial Championship, Kansasville, WI. Kevin lost his sight in 1987 when his racing boat hit a wake at 60 mph, threw him into the water, where he was hit by another boat. Lucky to be alive; and living to the max; he now races bicycles (with a tandem pilot). A couple weeks ago, at the Wisconsin State Track Championship, he and his pilot, Bob Springer, took the Gold Medal in Kilo and Pursuit, in the Tandem category. Kevin said, “My bike, Chariot of Fire, almost literally caught fire!” This morning he worked on his record times to qualify and participate in the 2012 Paralympics. Over the years I’ve worked with Kevin on a promotional video and designed the logo for his web site, stationery and motivational speaking work. Kevin’s simply an amazing human being. His web site is well worth taking a look at to discover just how amazing.
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Kevin’s “warm up”
Setting up the “Chariot of Fire”
At the line.
And they’re off to the races.
Coming around the fourth turn, completing the first of two laps.
Leica M8, 50 and 35 mm Summilux asph
Back in May I had the opportunity to photograph a chandelier designed, forged and fabricated by Nathaniel Reinartz. In his portfolio catalog Nathaniel describes it as mild steel, fire scale and beeswax finish, diameter: 36” height: 48”. The wax lamp shades have each taken on its own subtly different shape from the heat of the electric lamps and provide the feeling of warm candle light. Nothing quite like having artists create functional work specific to a site — whether an architect designing a building, a metal smith designing a lamp, a graphic designer working out elements for a web site, or a photographer providing images for a site.
Upon arriving at the location I felt immediate appreciation for how beautifully the piece integrated with its surroundings. Not knowing what either the piece or environmental conditions would require I brought three Elinchrom studio strobes with various umbrellas and soft boxes; but needed to use only one light in an octagonal soft box to achieve some highlight modeling on the right side of the chandelier’s two rims.
Leica R8/DMR, 35 mm Summilux
Leica R8/DMR, 21 mm Super Angulon
Leica R8/DMR, 60 mm Macro Elmarit