(somehow this photograph seems like an apt metaphor for our recent election results — ’nuff said)
(click photograph for larger view)
Leica M8, 28 mm Summicron Asph
Almost forgot about this new LUG tradition. Though Wayne Torry reminded me with his wonderful contribution.
I always find it a bit weird when multiple media events vie for my attention.
The more disharmonious — the more weird it seems.
(click image for larger view)
Leica M8, 28 mm Summicron Asph
Friday: Drive to Sendik’s for the traditional fried fish. Full moon peeks over trees; rooftops; disappears; reappears. Turn right on Port Washington Road. There behind Culver’s it all comes together. Don’t stop. Drive on for the fish as I may see an even better view. Nope. That was the photograph. Buy the fish and seven layer salad. Drive back through the parking lots. Perfect (except for the lack of a tripod). Stand. Still — as the smell of hot cod and tilapia blends with mirages of Adams and Hopper.
(click image for larger view)
Leica M8, 28mm Summicron Asph
One’s perception of weird, like beauty, will depend a great deal on the beholder’s point of view. Having not been raised Catholic I’ll admit that I found a recent visit to Holy Hill slightly weird. Raised in a family with membership in a strict Lutheran synod it was not the icons themselves that had this effect on me; it was rather the contexts and signage which surrounded the icons that struck my eye as visually weird. Things like plastic bottles, and spigots coming out of rocks, with the words “Holy Water” on them – and apparently for sale – right along side the Coca Cola, etc.
I certainly believe the Carmelite Friars when they inform me that their video cameras watch me. However I rather doubt their claim that “GOD” has an interest in watching my strolling about; whether at Holy Hill or elsewhere.
(click images for larger view)
Below is a detail from the lower right corner of the above photograph.
M8, 28 mm Summicron
Some many years ago Sonny Carter began the Friday Flowers tradition over on the LUG (Leica User Group) email list. Yesterday Lawrence Zeitlin began what may become a new new tradition: Weird Wednesday with this deer triptych. This past Sunday Ann wanted to drive out into the country to see the fall color. We decided to drive West and a bit North toward Holy Hill. We could expect to find, hills, winding 2 lane roads through forested land and, ultimately, a fine view from the highest point near us. Along the way we found these fellows, who apparently had the same idea, on the road to holy hill:
(click images for larger view)
Leica M8, 28 mm Summicron
On September 7th Dan Nauman installed the final terminus section of his bronze railing at Lynden Sculpture Garden. However we had to wait for the patina to even out across all the sections before attempting to photograph the completed railing. Last week I gave the afternoon light an opportunity to charm the railing; and this week I gave the morning light an equal opportunity. These bronze forms stretch the the photographic limits in terms controlling highlights, contrast and complex color. To capture the movement, rhythms, forms and details of this intriguing metal work I used 15, 35, 50, 80, 100 and 180 mm lenses; lay on the ground; and climbed a ladder to find where the background, the piece and th light made the most visual sense together. To more fully comprehend the intricacies of the railing, the rather difficult environment surrounding it, along with the ever changing light — you can view the slide show of additional views and details.
(click images for larger view)
Leica R8/DMR, (numerous lenses were used)
Heading north on Lake Dr., approaching Capital Dr., I notice, for the second time, a newly installed sculpture in Atwater Park. This time I stop to have a closer look. Approaching the transparent human form, by internationally known artist Jaume Plensa, I’m immediately hooked into the visual elements of both the metal and its surroundings. The Leica moves to my eye.
(click images for larger views)
A young mother, with two children, also appeared, drawn to this installation. They speak quietly about what they see. The little girl attempts to find the letters of her name within the figure.
A truly beautiful, warm, fall day
to experience the powerful presence of this great lake;
these metal sans serif letters loosely describing a contemplative human figure;
and this lovely mother with her children.
Did the camera capture these simple, peaceful thoughts along with my nonverbal feelings? Later, looking at the images on the computer, I think, “maybe.”
So I began writing this post by googling to find the name of the sculptor; only to find this depressingly, negative review of the Atwater installation; complete with absolutely horrible photographs. I agree with the critic, Mary Louise Schumacher, about the frumpy poured concrete base; the rest of her critique – not at all. It seems neither she nor her photographer could see or properly feel this particular intersection of art, lake-scape and humanity. Yet, thankfully, this work, titled Spillover II now exists there for we who care to experience and enjoy it.
Leica M8, 75 mm Summilux and 28 mm Summicron
Every fall around this time Alverno College hosts the two day Global Union concerts. Yesterday, in Humboldt Park, under deep blue skies, in bright sunlight, I had tears of joy running down my cheeks and hair standing up on my arms, as I photographed Delhi 2 Dublin. These young Canadian men and woman take possession of the stage and drive their brand of world music into your very soul. Celtic, Reggae, Bhangra, Hip Hop, and more, fused seamlessly together with remarkable lyrics in numerous languages. They even have a Study Guide; bless their young hears. Do not pass up the opportunity to experience Delhi 2 Dublin.
Additional photographs from Global Union 2010 can be viewed here.
(click images for larger view)
Leica M8, 50 mm Summilux