“The toad beneath the harrow knows
Exactly where each tooth-point goes;
The butterfly upon the road
Preaches contentment to that toad.”
— Rudyard Kipling
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August 2, 2009, Ann decided to take her granddaughters to see the Dancing Horses on Hwy 50, west of Lake Geneva, WI. Quite a unique and entertaining afternoon — most especially for the young girls who already ride and now dream of “being” what they saw there. (click on image for larger view – Slide show of additional images)
Back in June Ann’s nephew, Mike McDonald, played in the Wisconsin State Amateur Golf Tournament. Mike also plays on the Marquette University Golf Team. At the State Tournament his dad, Bob, caddied for him. A fine father/son moment caught. (click image for larger view – Slide show of additional tournament images)
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Traveling through the last few weeks with thoughts mostly of Ann and her upcoming birthday; which occurred on August 17th. It all began with a trip up the coast to Sheboygan, WI to introduce Jim Proue and David White. I’d thought it would be fun to have them sing and play at Ann’s little surprise family birthday celebration. They’d never played together yet hit the mark right from the get-go.
(click image for larger view – Slide show with more images from this get together)
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The night before the party we went to hear Tracy Chapman at the Pabst Theartre. Without doubt – the most incredible concert I’ve ever attended. Ms. Chapman (and her band) performed flawlessly; and actually “better than” the original studio recordings. (click image for larger view – Slide Show of a few “intermission” images)
Of course it took a few phone calls to invite the family; a bit tidying up, arranging for food and errands with Erin’s help; and then – the party sort of just happened. (click image for larger view – Slide show of additional party images)
The day after the party Ann did her annual Irish Fest. Below we see one of Ann’s customers — not showing off his hair cut — but rather performing a fine Irish kick. (click image for larger view – Slide show of additional Irish Fest images)
Then it was getting ready for a four day road trip to the beautiful Mississippi River hills and valleys in Northwestern Illinois, Eastern Iowa and Southwestern Wisconsin. (click image for larger view – Slide show of additional river trip images)
Photographer, Richard Avedon, said, “I think all art is about control – the encounter between control and the uncontrollable.” In my experience we have much less control than we often believe. Change and impermanence rule — that thought — that feeling — that observation — try and hold one of them for even a moment. Memory distorts and fades. We photograph. We write, draw, paint, sculpt — none of these expressions end up quite as we “thought, saw or observed.” We, and our thoughts, all fade away as flowers in the fall; leaving meager evidence of our former states of consciousness. Deeply meditating on this cosmic joke brings a peaceful smile to our busy-ness. Best enjoy the ravishing, uncontrollable beauty as it visits.
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Leica M8, 50 mm Summilux Asph
Dan has been quite busy at his Big Horn Forge (we’ve also been working on his website for almost a decade). He had me photograph a recently completed gate for a stone walled garden in Cedarburg, WI. A fabulous gate for a fabulous garden. A gallery of additional views can be seen here.
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Laurie, the highly skilled gardner also kindly gave me some of the recent harvest.
and a couple other pieces recently photographed for Dan
above photographs created with Leica R8/DMR and various Leica R lenses
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The Wustum Museum in Racine, Wisconsin, has a long and solid history of befriending serious photographers. In 1979 they began the tradition of a “Wisconsin Photography” exhibition. As I recall it was an invitational, as well as juried (selections made from 10 matted prints submitted by each photographer); and billed as “Annual” in that first year. At 33 years old I felt pretty excited to be part of it. I can’t remember how many years it continued as an annual event, but after perhaps more than a few, it became a biannual event; and for the last couple of few shows a tri-annual event. Until I received the recent announcement for the 2009 exhibition it felt so long since the last exhibition (must have been ’06) that I actually wondered if they gave it up all together; or cut me off the invitation list.
As I began to consider which images I would print and matt for the “juror” it felt exciting again – just like all the past years I participated. Over the next few weeks I went back through the last couple years work; chose 15 or so images; printed a dozen, fine, 13×19 inch, ink jet prints on fine paper (some 3 and four times – to get them just right); then chose 10 to matt. Days went by and the more I considered the cost and time to cut 10 large rag mats the more I thought, “why not just submit the CD?” This year they’re accepting a CD with the 10 images at a specified .jpg size and resolution. The thought went through my mind that the large prints would fare better with the judge than the screen images. Yet, the expense in time and materials seemed high in these times. So I prepared the disk; filled out the entry form; and drove it 40 miles to the Museum. Handing this little package over the counter with the $25 entry fee did not feel right. Over all past years I’d left a serious, large portfolio case containing 10 matted 11 x 14, some years 16×20, prints; a package of considerable aesthetic and financial value. On this Saturday I’m dropping off a CD with ten 300 dpi x 6 in x 6 in .jpg’s on it.
Change. I’d always respected the Wustum for demanding to see the prints that would hang in the show; not slides of the work. As I drove the 40 miles back home I felt that I’d made a mistake; that I should have matted and showed the actual prints. I also felt the Museum made a mistake in allowing me to show my work in this “new” manner. Oh well. The ball’s now in play.
The judging took place on May 12th, and on the 14th I drove another 80 mile round trip to pick up the CD and discover that one image out of the ten was accepted for the exhibition. Of course I should have simply had them ship the CD back to me (something that would have cost too much for a large portfolio but made perfect sense in this case). In the past — I’d have to open the portfolio and LOOK AT the prints to see if they marked “in” or “out” on the label attached to the back of the print. On this day I simply had the CD and the list where I read #1 “in” and “out” for #2 through #10. Not nearly as aesthetically pleasing an experience as in the past. I also found myself wondering if the “judge” would have chosen one or two more if I’d submitted the actual prints. Of course I’m also 63 now. The whole “pay to play” and have a “judge” or “juror” decide what the public will or won’t see as representative of my life’s work seems a lot less exciting than 30 years ago (or even 3 years ago). Past years I felt, “lucky me.” This year I feel, “okay, I need to matt and frame a print then drive it 40 miles back for the nearly 2 month long exhibition (I don’t remember past exhibitions hanging that long); then pick it up (unless it sells — which would be swell). Last friday I matted, framed (miss—cutting three sheets of glass in the process—ugh) and delivered the print.
Over on the LUG (Leica User Group) we recently discussed the new “print on demand” books (like blurb and lulu) in contrast to traditional photographic book publishing. Some took the view that “getting” published by a traditional publisher had far more value than self publishing; certainly more prestigious to be “judged” publishable. Yet, today we can publish (make public) in our blogs, as well as book form, our actual concepts and ideas without a judge or juror between the creator and the public. We can certainly do this using professional editors and designers if we choose. We can produce as professional a product as we’re willing to. Somehow this all relates to the “change” in my feelings and the “change” in the Wustum’s acceptance of .jpg’s for judging.
“As photographers we sell emotion not emulsion. The tools are immaterial, the resulting piece is all important.” — Jeff Adams
In principle I agree — yet fine tools do make getting to the result a tad easier. Today I began a 15 day trial of Silver Efex Pro for use with Lightroom. It is quite a fine tool; if you’re interested in processing digital color files to black and white effect. Its built-in presets for tone-color, various filtration effects and simulation of (various types of) film grain appear first rate. This image of Sophia at the Children’s Museum (last week) was processed to Acros 100 with slight Selenium Toning and subtle ‘rectangular’ edge burn. Very quick and easy to compare effects. If you’re familiar with the Lightroom GUI (graphic user interface) you’ll find the Silver Efex GUI very intuitive.
In the end every craftsperson (and artist) appreciates fine tools; yet will find a way to express themselves with the tools at hand.
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Duncan moved on out of this life Wednesday evening.
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Mary Kelly stopped by to show me
that 10 years after receiving a print from me as a birthday gift
she decided to frame it.

I was most impressed with my multi-color inking on my chop
Last Sunday (father’s day), before a lovely brunch, Sophia presented me with
an abstract expression titled “fireworks” (from her fever series)
after which Ann and I headed for her son Josh’s farm
where Cadence and Cassidy rode around the barrels and Clyde chewed on T-bone’s ear
(slide show of additional images from the farm)