Friday: flower — still life?

The flowering plants have fallen over, wilted, dried, gone to seed. Very little green remains “outside” — only the pines and some grasses. The days have become short and the light, more often than not, overcast, dull and gray. If I continue to produce a flower photograph each Friday it will require more planning; no longer simply a stroll within so-called nature. From now until spring I’ll need to travel to a shop and make both economic and aesthetic choices.

This morning it was 32 degrees F outside so I decided to shift into this new way of thinking about Friday flowers by bringing one of the last blooms from a porch plant inside for visual exploration. As soon as I dropped the bloom into water the photograph appeared.

(click photograph for larger view)

Leica R8/DMR, 100 mm Apo-Macro Elmarit

Weird Wednesday

Some many years ago Sonny Carter began the Friday Flowers tradition over on the LUG (Leica User Group) email list. Yesterday Lawrence Zeitlin began what may become a new new tradition: Weird Wednesday with this deer triptych. This past Sunday Ann wanted to drive out into the country to see the fall color. We decided to drive West and a bit North toward Holy Hill. We could expect to find, hills, winding 2 lane roads through forested land and, ultimately, a fine view from the highest point near us. Along the way we found these fellows, who apparently had the same idea, on the road to holy hill:

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Leica M8, 28 mm Summicron

Dan Nauman’s bronze railing at Lynden Sculpture Garden

On September 7th Dan Nauman installed the final terminus section of his bronze railing at Lynden Sculpture Garden. However we had to wait for the patina to even out across all the sections before attempting to photograph the completed railing. Last week I gave the afternoon light an opportunity to charm the railing; and this week I gave the morning light an equal opportunity. These bronze forms stretch the the photographic limits in terms controlling highlights, contrast and complex color. To capture the movement, rhythms, forms and details of this intriguing metal work I used 15, 35, 50, 80, 100 and 180 mm lenses; lay on the ground; and climbed a ladder to find where the background, the piece and th light made the most visual sense together. To more fully comprehend the intricacies of the railing, the rather difficult environment surrounding it, along with the ever changing light — you can view the slide show of additional views and details.

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Leica R8/DMR, (numerous lenses were used)

Justice discovered when picking Sophia up from school

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Once back at Sophia’s house we shot a few hoops before moving on to WII gaming inside. I must say that I prefer real balls, racquets, frisbees and bowling pins to their electronic facsimiles.

Leica M8, 28 mm Summicron

John Stropes brought George Winston’s vast guitar knowledge to Milwaukee

Last Friday John Stropes introduced George Winston to a small group of his guitar students and friends. John has been educating Wisconsin in the various forms of finger style guitar techniques for several decades; both through courses at UWM and his many other venues. In that generous spirit John ensured the lessons were well documented for the educational use of future generations.

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George Winston, most widely known as a pianist, has obviously studied slack key guitar with near equal vigor and depth. He’s filmed and recorded the key players in Hawaii; and generously shares his research and expertise at Dancing Cat Records where you can download his books on the subject. Anyone who knows where to find every note and chord on a stringed instrument, in any of  a couple dozen different tunings, leaves a hell of an impression on me. When you add the many different ways to pluck a string or four; and achieve harmonic effects up and down the neck. Well suffice it to say Mr. Winston’s scholarship and musicianship left me awestruck; and wanting to hear him play guitar in concert (or in recording).

(Leica M8, 28 mm Summicron [above], 75 mm Summilux [below])

Beauty and its beholders

Heading north on Lake Dr., approaching Capital Dr., I notice, for the second time, a newly installed sculpture in Atwater Park. This time I stop to have a closer look. Approaching the transparent human form, by internationally known artist Jaume Plensa, I’m immediately hooked into the visual elements of both the metal and its surroundings. The Leica moves to my eye.

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A young mother, with two children, also appeared, drawn to this installation. They speak quietly about what they see. The little girl attempts to find the letters of her name within the figure.

A truly beautiful, warm, fall day
to experience the powerful presence of this great lake;
these metal sans serif letters loosely describing a contemplative human figure;
and this lovely mother with her children.

Did the camera capture these simple, peaceful thoughts along with my nonverbal feelings? Later, looking at the images on the computer, I think, “maybe.”

So I began writing this post by googling to find the name of the sculptor; only to find this depressingly, negative review of the Atwater installation; complete with absolutely horrible photographs. I agree with the critic, Mary Louise Schumacher, about the frumpy poured concrete base; the rest of her critique – not at all. It seems neither she nor her photographer could see or properly feel this particular intersection of art, lake-scape and humanity. Yet, thankfully, this work, titled Spillover II now exists there for we who care to experience and enjoy it.

Leica M8, 75 mm Summilux and 28 mm Summicron

Tears of joy

Every fall around this time Alverno College hosts the two day Global Union concerts. Yesterday, in Humboldt Park, under deep blue skies, in bright sunlight, I had tears of joy running down my cheeks and hair standing up on my arms, as I photographed Delhi 2 Dublin. These young Canadian men and woman take possession of the stage and drive their brand of world music into your very soul. Celtic, Reggae, Bhangra, Hip Hop, and more, fused seamlessly together with remarkable lyrics in numerous languages. They even have a Study Guide; bless their young hears. Do not pass up the opportunity to experience Delhi 2 Dublin.

Additional photographs from Global Union 2010 can be viewed here.

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Leica M8, 50 mm Summilux