…and marveling
(click photograph for larger view)
Leica M, 50 mm Summilux Asph
iPhone 6s, Schneider iPro Century 2x TELE
(click photograph for larger view)
step out of the shower. look out the window
need to put the hammock away for the winter. not yet. lay back. watch and listen to the leaves fall.
leaf prints. I love them. and this:
“How do I really feel? Like a leaf. As long as I’m needed, in vigor or decay, I’ll be here. And this is my blessing, to want nothing, to need nothing, to love everything, even my very own end; to express joy in uncertainty, vulnerability, and pain; to be astonished by birth, again and again; to be color when melody is near; to speak without shame and say without fear, I don’t know. I’m falling. How sweet is the air!”
~ by William Michelin from here (thank you Donna Belleson)
one of the last hammock swings of the season. I swept that patch of grass yesterday. why?
iPhone 6s
This past week /
i reflected on past times /
as i repaired a 100 year old fountain pen /
with flexible 14 k gold tines /
and a sac gone brittle into dust /
(Settles Supremacy Pen, photographed with iPhone 6s, iPro S2 Century Macro)
Then, on this overcast, chilly, fall morning /
I pickup a lens made in 1970 (Leica made 1,000 of them that year) /
and attach it to a Visoflex III, made sometime between 1961 and 1984 /
and attach all that to a full frame digital Leica /
that only makes black and white image files /
and in doing all of that /
i actually seem to ‘connect’ /
with a younger version of myself /
(click photograph for larger view)
(Last flower and Shaggy Ink Caps, photographed with Leica M Monochrom, 65 mm Elmar on Visoflex III)
(Leica Monochrom, Visoflex III and 65 mm Elmar, with ink on a page, photographed with iPhone 6s)