Life, as we knew it, vanishing before our eyes.

“As a fledgling street photographer strolling up and down the streets of cities, I quickly became aware of Time and its erosive power. …for it seemed to me that what was about to vanish was important and irreplaceable, and frankly, I wanted my photographs to offer, in some manner, the power of resuscitation. Actually, I still do, though I no longer believe that photographs can prevent the homely past from being plowed under; rather, I believe that photographs – especially good photographs that compel our interest – help us to remember; and even more importantly, they help us to decide what is worth remembering.” — John RosenthalExhibition lecture, National Humanities Center

Mr. Rosenthal expresses my own feelings as I walked a once vibrant, commercial street this past Sunday; and this, surrounded by an upscale, residential, neighborhood. Forty percent of the commercial buildings now stand empty; some for years. The fashion boutique shops – some gone; one remains; yet, looking shabbier with each visit. The independent coffee shop and a chain restaurant – long gone. A food market, hardware store, one upscale restaurant and a movie theatre hang on. The independent bookseller struggles to survive under new management.

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Wishing wells and mandalas

listen to warm
thaw watching egos dissolving
into a sea of compassion

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The seeing eye

Last evening I read from “Imogen Cunningham, Ideas without end” by Richard Lorenz; and again just before going to lunch with my friend, David White. These readings, and looking at her photographs, inspired me to write in my journal, “…intend to see more and deeper.”

You have to have it in you first, you don’t learn it. The seeing eye is the important thing.” — Imogen Cunningham, Dialogue With Photography by Paul Hill , ISBN: 0948797665

The two photographs made at the restaurant had nothing to do with lunch, or David, or our various discussions on business, or mindfulness (well maybe that). Yet these images will set well, in my memory, this lunch as an honor to Imogen Cunningham; even though David and I never spoke her name; or discussed her extraordinary photographs. (click on images for larger view)

How to survive the economic slowdown

Here’s what people say to do to survive this current economic slowdown:

Market
Budget
Sharpen Position
Increase Exposure
Self promotion – All the time
Develop New Business
Deliver on promise of Client-centered organization
Manifest polite behavior
Exceed client’s expectations
Sustain positive attitude
Keep Calm
See the glass as half full
Be flexible
Never take the work for granted
Maintain focused optimism
Identify solutions
Fewer desserts and Lattes
More soups
Bake our your own bread
Cook more — eat-out less
Put the “children” on eBay

So as a graphic designer, photographer and videographer I decided to look at my economic picture…

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and open up a clothing store at cafepress with a zen line of designer clothing

Photography is not… or what is photography?

“Photography is not cute cats, nor nudes, motherhood or arrangements of manufactured products. Under no circumstances is it anything ever anywhere near a beach.” – Walker Evans – American Photography, 1984, 23 – 24. [“EW:100 – Centennial Essays in Honor of Edward Weston”, “Carmel: Beneficial to Bohemia” p. 48, Untitled 41, The Friends of Photography, Carmel, California 1986]

A basket full of goodies came as a Christmas gift. Now empty yet remaining on a kitchen counter; Cheech has claimed it as one his preferred places to rest.

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what do you look at? why?

“I’m looking for things I’ve never seen before.” — Robert Mapplethorpe

“Constantly ask yourself, ‘what the heck would what I’m looking at look like framed, still, two-dimensional, in black and white?’ If the search for an answer gets your heart pumping, makes your throat dry and you become kind of gooey inside, it’s love. Don’t fight it. Take out that Leica M that you’re still paying off and start shooting.” — Mason Resnick

“my window” — George Lottermoser

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Images held within us

“You cannot carry nature with you, but you carry images of nature. When you go out to make a picture you find you are moved by something which is in agreement with an image you already held within yourself.” — Frederick Sommer

yesterday:
attached the 400 mm f:6.8 Telyt
to the Visoflex and M8
for the first time
then took the kit for a brief walk

this — hand held, without shoulder stock or pod,
cropped from about a quarter of the M8’s full frame
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