(click photograph for larger view)
my world
world within my world
Leica R8/DMR, 100 mm Apo Macro Elmarit
world within the fly’s world
Leica R8/DMR, 12.5 mm Photar
While I’m not often a fan of “catalog” photographs of flowers. Occasionally a specimen demands to simply be presented for its own perfect beauty. Such was the case with this peonie. Usually my peonies appear either bloomed out or barely opened. Rarely do I see the moment when the flowers are simply perfect. As I walked to the mail box this one simply called out, “…dude – look at me – I’m perfect – now – and only for this instant – in this specific light…”
(click photograph for larger view)
Leica R8/DMR, 100 mm Apo Macro Elmarit (I think)
Sometimes the subject and/or assignment dictates the equipment which one must choose. At other times a photographer may choose the equipment simply for the pleasure of using a particular tool. The 65mm Elmar (as well as the 135mm Elmar) on the Visoflex III, with the stove pipe viewer, provide this photographer with a meditative/contemplative experience. This meditative intuitive—connection of eye/hands : tool : subject has to do with the size and weight — how it feels in the hand, the manual/mechanical aspects, the reversed image on the ground glass, as well as the rendering these lenses provide — all come together to feed the soul.
(click photograph for larger view)
and the cotton wood has left it’s fluff on everything
Leica M8, 65 mm Elmar on Visoflex
neither red nor blue
this secondary hue
invites both
to mingle and dance
Am I the only one who finds the word “purple” dull and uninteresting. I truly love the word violet and especially “ultraviolet.” It seems totally appropriate sitting on the opposite end of the spectrum from “infrared.” (while ultrapurple simply does not work at all)
(click photograph for larger view)
Leica R8/DMR, 100 mm Apo Macro Elmarit