Nature’s anxious to reclaim our dreams

Photography takes an instant out of time, altering life by holding it still. — Dorthea Lange

dreams dug out of dirt
exposed for all to see
nature reclaims her

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When my father (and tool and die maker) died I moved his tools to my home. The milling machine sat in a shed for a couple years and nature’s need to oxidize quickly made it unusable. I felt a good deal of shame in allowing this to happen. On Sunday my desire to make an adapter which would allow me to mount my Hasselblad lenses on the Ultima gave me the impetus to get the mill up and running. A long, hard day with wire brushes on grinders, WD40, and grease put me straight with my deceased dad; and by 10 pm I had my adapter. He made the precision tables himself. Unfortunately the “jeweled” surfaces were partially destroyed by rust and my cleaning of same. Scars: evidence of my neglect.

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It all seems so fragile

Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph. — Matt Hardy

thursday morning she
flew into the window and
ann loved her alive

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a walk through the play ground

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continuing to learn the Ultima now with 90mm Apo-Rodagon and R8/DMR

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Leica M8, Visoflex III plus Cambo Ultima

“A photograph is a secret about a secret. The more it tells you the less you know.” — Diane Arbus, Diane Arbus: A biography by Patricia Bosworth

access ability
pursuit of happiness
social justice. enigmas

For the last month I’ve been moving my office into my home. Remodeling a bathroom and building a custom version of the Cambo Ultima 35 from an Ultima 4×5 (seen below with M8 and Visoflex III; also able to mount R8/DMR, and 5D with a simple Really Right Stuff quick release). Since going digital I’ve missed the precision of the view camera camera movements to control framing, focus, etc. Now I have achieved the ultimate optical bench. Sweet.

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Below: three images made with M8 and 180mm Nikkor-W.

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Awareness creates depth of experience.

“I thought I made a mistake once but it turned out it was a creative moment.” — Scott Fleming

Have you ever approached your lover, intending a kiss good bye, then felt a warm breeze flow from their face to your own? Not speaking of breath here; rather an in-the-moment-hyper-awareness of the 98.6 degree F, 37 degree C, body temperature slowly flowing from loved one toward self. I did. This morning. Lovely.

Happens all the time.
Appreciating it does not.
Then spring arrived.

difficult to hold

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Downy Woodpecker

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The importance of craft — technique

“A good documentary photograph transmits the information of the situation with the utmost fidelity; achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady.” — Sam Abell, Seeing and Shooting Straight

Sunday morning:

cold wind bites the skin
even as the sun melts fresh snow
spring appears unsure

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the birthday party – delightful

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words bouncing off visions

“I trust pictures, but no pictures in my world – because I know what goes on.” — Naomi Campbell

So, sitting in the kitchen, reading The Nation, or rather articles within, which refer to the life, times and work of Roberto Bolaño, who said, “Then what is writing of quality? Well, what it’s always been: to know how to thrust your head into the darkness, know how to leap into the void, and to understand that literature is basically a dangerous calling.” among other groups of words, mostly in variations of Spanish.

this spring visioning
implores me to discover
infrarealist

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while discovering
a new light always springing
within my world view

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put head, eye, and heart on the same axis

To take photographs means to recognize both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one’s head, one’s eye and one’s heart on the same axis. — H. C. Bresson

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