Hog “heaven”

Milwaukee based Harley Davidson celebrated their 110th anniversary a couple weeks ago. One of the big dealers, Suburban Motors, is located in our little town of Thiensville, WI. The party ran for a week. Needless to say the the audio/visual noise quickly became a bit over-the-top for many — me among them. The often unmuffled pipes roared past our home from 7 am ’til 2 or 3 am every day; all week long.

The last Friday of the party I bicycled into town, intending to do some photography. Everyone seemed to wear the same basic “uniform” with only the slightest variations. The noise — unpleasant. The sea of bikes made it difficult to even begin to appreciate any potential visual nuances. The unique photographs I thought I’d find – seemed buried in a sea of chrome, denim and leather. After 20 minutes I peddled slowly and silently home — after making only 4 exposures. Very odd — for me.

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Leica M8, 28 mm Summicron Asph

On Assignment (from Ted Grant): The Twilight Zone

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R8/DMR, 21 mm Super Angulon

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Friday flowers. The muse. Fall.

We can photograph, draw, paint, sculpt or write a poem about any subject. In my experience subjects inspire poets and artists in various and often weird ways; a shaft of light; a metaphor popping into the mind; a turn of phrase; a rhyme; and many other incomprehensible signals may indicate that the muse has tapped us on the shoulder; or slapped our face.

Sometimes we give ourselves an assignment like photograph a flower for publication each and every week. While I always invite the muse; she may or may not show up on any given assignment.

Generally if I focus attention on a subject I can connect with and learn something beautiful from it. Technical difficulties may enter the picture: wind, less than ideal light, too little light, et al. Then, even if I think I “got something,” I may open the files and find — Nope. Nothing there. Just another picture of a flower. No feelings transmitted. Nothing particularly interesting to see. No gorgeous lines. No rhythm. No surprising texture, color, or light.

This week’s flowers seemed more elusive than usual. Every day for a week I walked past this blooming situation and “felt” drawn to its possibilities. Yet when I finally settled in to explore the subject it eluded me – they blew around – stuff seemed always in the way – either in the foreground or the background – I simply could not find “what I felt while looking without the camera” within the rectangle of the camera’s view finder. Or maybe I did. Though it took all these variations because the subject just kept talking and talking; whenever it wasn’t blowing away from my focus; or hiding in the dark of cloud cover.

Sometimes we need more
than a single verse
to express the feel
of summer/fall
the trance formation
the soft crisp in it all.

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Leica R8/DMR, 60 mm Macro Elmarit

Friday’s Flora

“We don’t see things as they are, we see them as we are.” – Anaïs Nin
(And each camera and lens renders uniquely.
Our choice of subject, tool, angle, crop, focus, hue, luminance, saturation, dodge and burn
speaks of our thoughts and feelings.)

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Leica R8/DMR, 60 mm Macro Elmarit