and encountering art nouveau
(click photograph for larger view)
Leica M, 35 mm Summilux Asph
© 2023 George Lottermoser: photography, graphic design, video, art, literature, zen
This past Saturday morning I spent a couple hours with my friend David White — in celebration of his birthday. The drive around too many express ways — through old and newly forming suburbia — continues to frustrate me. Though the orchid on the table and the pleasure of delving into theo-philo-socio-econo-psycho-logy with David soon dissipated all that anxiety. The two coffee selections tasted good; and omelette good enough; while the conversation provided the most delicious pleasure.
The most generic signage imaginable…
on the most forgettable architecture…
in a brand new suburban development…
that will be empty and crumbling in 50 years
or less…
Leica M, 35 mm Summilux Asph
Leica M Monochrom, 50 mm Summilux Asph
By happy happenstance… Jake, from the Waupun area, 45 miles Northeast of my home, wanted to purchase the floor board nailer that I had listed for sale on craigslist. Once we agreed on the price I offered to drive 10 miles his way to ease his travel time. He countered with, “half way.” Now. Do I jeopardize the sale over an additional 10 miles? For whatever reason I decided to take the chance and drive the tool 20 miles and meet a complete stranger at a Park’n’ride on Hwys 41 and 33. We each pulled in at exactly the same moment. The deal went down without a hitch. And we were soon on our ways home.
Heading East on Hwy 60, driving through Jackson, I catch the sign, “Royal Oak Antiques” out of my left eye. Something in me says, “stop. fool. have a look.” So I turn around. See a tiny hand painted sign reading, “Parking in rear.” Turn right into the too narrow driveway. Park the van between a couple of air conditioners hanging out the wall of an old motel, grab the Monochrom with the 50 Summilux and step out of the van into world of messages and textures… thinking, “oh this is why I my intuition said to sell to Jake. to drive to Allenton. to turn around and park back here. thanks for the serendipity my dear intuit-voice.”
(click photographs for larger view)
The exterior, west facing wall of Royal Oak Antiques.
As I walked in the street entrance door Bill said, “You could have come in the back.”
I was immediately struck by the very high quality antique furniture and furnishings; with prices reflecting their value.
Turns out that Bill and his brother are very much into restoration;
most especially restoration of antique billiard tables; and they’ve been at it since the 70s.
Bill generously shared his time and stories; showing me around the shop, documents and recent completed projects. Fascinating.
You can check out Royal Oak Antiques‘ inventory. And new billiard table projects here.
Leica M Monochrom, 50 mm Summilux Asph
Dad’s been gone since December 24th, 2003. That’s about when I acquired his Tool and Die Maker’s tool chest. I’ve used a few of the tools. Squares. Micrometers. Height gauges. And the like. Most of tools are far too precise for any of the wood work that I engage in. I don’t even know how some of the devices are properly used.
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Within the lid of the tool chest he’d mounted a clear plastic divider. He stuffed all manner of mementos into that space. Odd newspaper clippings. Jokes of one sort or another. Photographs. The plastic templates that he used to fabricate his replica of a .44 caliber Navy Dragoon from raw steel. Receipts for the bluing of those gun parts; as well as for a pair of shoes; and hardware used in creating the recreation room in the basement of our home on 58th and Villard Avenue. Most of these mementos were dated from the sixties and early seventies; when dad was in his forties; or significantly earlier.
Hasselblad 500 CM w/ CF-39, 80 mm Zeiss Planar
It has taken more than ten years for me to decide to finally remove those mementos and prepare to use this chest of drawers for my own tools. Tools that I know how to use. And also, perhaps, for my own mementos. The photographs found there, in the tool chest that he opened every day of his working life, and many days during his retired life, include: a photo of himself showering while serving in the Army Air Core; two photographs of the planes he flew in during WWII; a studio portrait of my mother in her late teens or twenties; a photo of mom and dad in his parent’s back yard (I believe); a polaroid of my mom; a 6×9 negative of a nude woman, from the back, which may be mom; a small hand colored print of a young woman that I never met; and five photographs of my sister and her family at various times. Conspicuously absent is any photograph of me or my family. The sixties and seventies truly left deep scars in families… however invisible… h-m-m?.
Dad’s Tool and Die Maker’s Chest.

Last two images made with an iPad IV
together…
Something living and growing.
Something full of the potential to live and grow.
Raw material which can become something entirely new.
These three objects sit on my desk.
Diffused light falls across them
from a large window, north facing, with a white fabric shade.
They beg to be photographed, arranged, drawn, seen, appreciated.
Though that seems to be true of everything, everyone, and everyplace.
When one loves seeing.
(click photograph for larger view)
Hasselblad 500 CM / CF-39 with Carl Zeiss 135 mm S-Planar on Auto Bellows
the only growing, green thing
I could find…
well… actually… simply the first that caught my eye
It took 5 attempts…
and an hour and a half…
to capture the feelings…
(click photograph for larger view)
though I’m not sure one can appreciate the feel of things
without looking extremely close…
It often seems I cannot “get close enough”
to feel the full beauty of life before me.
Hasselblad 500 CM/CF-39, 135 mm Carl Zeiss S Planar on Auto Bellows