{"id":7214,"date":"2013-04-08T12:13:59","date_gmt":"2013-04-08T17:13:59","guid":{"rendered":"http:\/\/www.imagist.com\/blog\/?p=7214"},"modified":"2013-04-08T23:50:46","modified_gmt":"2013-04-09T04:50:46","slug":"thanks-for-the-memories-the-avant-garde-negative-movement-milwaukee-organizing-committee-viet-nam-the-draft-race-riots-assassinations-music-poetry-sit-ins-be-ins-marches","status":"publish","type":"post","link":"http:\/\/www.imagist.com\/blog\/?p=7214","title":{"rendered":"Thanks for the memories: The Avant Garde, Negative Movement, Milwaukee Organizing Committee, Viet Nam, the Draft, Race Riots, Assassinations, Music, Poetry, Sit-ins, Be-ins, Marches."},"content":{"rendered":"

In 2010, the University of Wisconsin-Milwaukee<\/strong><\/em> embarked on a long-term, multi-departmental research project focused on the Avant Garde Coffeehouse<\/strong><\/em>, a local landmark and center of the folk\/blues revival in Wisconsin from 1962 to 1968. There were places like this in other areas, but, in Wisconsin, none as important as the Avant Garde. It presented local performers and nationally-known folk and blues artists, poetry readings, and experimental and underground films.<\/p>\n

The gallery show opened on Friday, April 5th, at the Institute of Visual Arts (Inova)<\/strong><\/em>, 2155 North Prospect Avenue. It featured performances by UWM finger-style guitar students Doug Justice<\/strong><\/em>, Connor Scaro<\/strong><\/em>, Nick Brightwell<\/strong><\/em>, and Macyn Taylor<\/strong><\/em>, and scenes from the upcoming theatrical production, Meet Me at the Avant Garde<\/strong><\/em>, written by Fly Steffans<\/strong><\/em> and directed by Rebecca Holderness<\/strong><\/em>.<\/p>\n

The exhibit consists of photographs made primarily by Gordy Simmons<\/strong><\/em> in and around the Avant Garde, and James Middleton<\/strong><\/em> in and around Milwaukee’s East Side community – reaching out to the Ann Arbor Blues Festival<\/strong><\/em> – as well. Gordy’s photographs focus largely on the artists performing at the Garde. Jim’s photographs fan out slightly to the greater east side culture. There’s a couple artifacts, like the Negative Movement<\/strong><\/em>‘s<\/strong><\/em> first underground film show at the Milwaukee Art Center<\/strong><\/em> poster which begin to suggest the larger culture which the music interacted with.<\/p>\n

The exhibit certainly stimulated the memories of this particular cultural participant. As one of the co-founders of the Negative Movement, and co-designer of the poster in the exhibit the mind floods into a sea of memories – people – marches – meetings – be-ins – happenings – poets – writers – musicians – dreams – music – lyrics – photographs – art – poems – films – A big thanks to John Stropes<\/strong><\/em>, Director of Guitar Studies, Finger-Style Guitar University of Wisconsin-Milwaukee, Peck School of the Arts; and to his brother Mckim Stropes<\/strong> and all the other staff and students for bringing these bits of history forward in time – celebrating the coincidence of the 50th\u00a0anniversaries of both the Avant Garde Coffeehouse and the UWM Peck School of the Arts.<\/p>\n

(click photograph for larger view – additional photographs from the event can be viewed here<\/a>)<\/p>\n

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Yet the exhibit also seems to miss even suggesting the huge socio-cultural-political-paradigm-shifts taking place outside the walls of that wonderful little second floor coffeehouse. I suppose this statement depends a great deal on one’s particular point of view. As an art student at the University of Wisconsin Milwaukee from 1964 to 1972; during a time when photography and film had not even made it into the curriculum; where we had to fight to get them recognized by the art department; where Universities across the country had to figure out if they would support their students as the students protested the war and marched for civil rights\u2014even as churches were bombed; and presidents were assassinated; where the students had to figure out how to make their voices heard by their Universities, Parents, Congressmen, Senators, and Presidents.<\/p>\n

In other words – A number of us stepped directly from high school into the so-called “counter-culture<\/em>” in 1963. The 16th Street Baptist\u00a0Church<\/em> in\u00a0Birmingham<\/em>,\u00a0Alabama<\/em> was\u00a0bombed<\/em><\/strong><\/em> on Sunday, September 15, 1963 – killing 4 small children. On November 22, 1963 – the assassination of our President – John F. Kennedy<\/strong><\/em>. U.S. involvement in Viet Nam<\/em><\/strong> escalated in the early 1960s, with troop levels tripling in 1961 and tripling again in 1962. <\/span>U.S.\u00a0combat units were deployed beginning in 1965. Operations spanned international borders, with Laos and Cambodia heavily bombed. American involvement in the war peaked in 1968, at the time of the\u00a0Tet Offensive. We watched our friends and class mates get drafted<\/strong><\/em> into this bloody conflict. We marched against the War<\/strong><\/em>. We watched the Harlem Riot <\/strong><\/em>of 1964; the Watts Riot<\/strong><\/em> of 1965; the Milwaukee Riot<\/strong><\/em> of 1967; and the King Riots<\/strong><\/em> of 1968. The Freedom Riders<\/strong><\/em> had been working for basic Civil Rights<\/strong><\/em> in the South since 1961; along with CORE<\/strong><\/em> the\u00a0Congress of Racial Equality<\/a> and SNCC<\/strong><\/em> the\u00a0Student Nonviolent Coordinating Committee<\/a>.\u00a0We marched for Civil Rights. We worked as journalists for black weekly newspapers. We worked as Draft Counselors for groups like MOC, the Milwaukee Organizing Committee<\/strong><\/em>. We saw friends jailed <\/strong><\/em>for protesting, burning draft cards, and sitting in. We watched friends leave for Canada <\/strong><\/em>to avoid the draft. On April 4, 1968 – the assassination of Martin Luther King<\/strong><\/em>. On June 6, 1968 – the assassination of Robert F. Kennedy<\/strong><\/em>. This was the culture that we stepped into when we were 16, 17 and 18 years old.<\/p>\n

And yes – we also listened to the music of the times – The Blues – Rock’n’Roll – Folk\/Protest Music – We listened to the music on FM radio stations. We listened to it in the coffeehouses like the Avant Garde on Prospect Avenue. We listened to it at the Ann Arbor Blues Festival and Woodstock and Haight Ashbury. We also made our own music – sang at the protests and in the marches – played our guitars, harmonicas and drums at the Sit-Ins and Be-Ins. We made movies. We showed Underground Films. We published protest posters, newsletters, art posters. We organized Artists for Peace Exhibits<\/strong><\/em>. We designed chap books of poets. We kept very busy. For us it was really not<\/strong><\/em> a Counter-Culture – It was very much Our Culture<\/strong><\/em>.<\/p>\n

I highly recommend that people take advantage of this opportunity to take a look back 50 years – get your memories stimulated – or learn about your parents or grandparent’s time of youth.<\/p>\n

For a broader collection of who, what, when and where during this period (60s and 70s) of Milwaukee Culture see http:\/\/zonyx.net\/TEXTS\/BugHist.html<\/a>. Also: if you have any cultural artifacts from this period I’d love to see them and discuss them with you.<\/p>\n

(click photograph for larger view – additional photographs from the event can be viewed here)<\/p>\n

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Leica M8, 28 mm Summicron Asph
\nand
\nCanon 5D, 24 -70 mm 2.8 L<\/p>\n","protected":false},"excerpt":{"rendered":"

In 2010, the University of Wisconsin-Milwaukee embarked on a long-term, multi-departmental research project focused on the Avant Garde Coffeehouse, a local landmark and center of the folk\/blues revival in Wisconsin from 1962 to 1968. There were places like this in other areas, but, in Wisconsin, none as important as the Avant Garde. It presented local […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,51,32,34,17,28,29],"tags":[],"class_list":["post-7214","post","type-post","status-publish","format-standard","hentry","category-daily-thoughts","category-documentary","category-events","category-people","category-photography","category-travel","category-self-expression","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/7214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7214"}],"version-history":[{"count":26,"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/7214\/revisions"}],"predecessor-version":[{"id":7255,"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/7214\/revisions\/7255"}],"wp:attachment":[{"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7214"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.imagist.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}